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Ojos pues me desdenais
05:56
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Il Mio Tesoro
03:55
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Il mio tesoro, Don Octavio's aria from Don Giovanni
Il mio tesoro intanto Meantime go and
andate a consolar, console my dearest one,
E del bel ciglio il pianto and seek to dry the tears
cercate di asciugar. from her lovely eyes.
Ditele che i suoi torti Tell her that I have gone
a vendicar io vado; to avenge her wrongs,
Che sol di stragi e morti and will return only as the messenger
nunzio vogl'io tornar. of punishment and death.
Translation by Camila Argolo Freitas Batista (camila@infonet.com.br)
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In der Ferne
Ludwig Rellstab
Wehe dem Fliehenden, Welt hinaus ziehenden! - Fremde durchmessenden, Heimat vergessenden, Mutterhaus hassenden, Freunde verlassenden Folget kein Segen, ach! Auf ihren Wegen nach!
Herze, das sehnende, Auge, das tränende, Sehnsucht, nie endende, Heimwärts sich wendende! Busen, der wallende, Klage, verhallende, Abendstern, blinkender, Hoffnungslos sinkender!
Lüfte, ihr säuselnden, Wellen sanft kräuselnden, Sonnenstrahl, eilender, Nirgend verweilender:
Die mir mit Schmerze, ach! Dies treue Herze brach - Grüßt von dem Fliehenden, Welt hinaus ziehenden!
In the Distance
Woe to the fugitive, Fleeing the world! Roaming foreign places, Forgetting his homeland, Hating his mother’s house, Leaving his friends
Alas, no blessing follows Along their ways.
Heart that is yearning, Eye that is weeping Longing that never ends, Turning toward home. Breast that is stirring, Lament that is fading, Evening star twinkling, Hopelessly sinking!
Breezes, you rippling, Waves gently ruffling, Sunbeam hastening Nowhere remaining:
She who with agony
Broke my loyal heart— Greetings from the fugitive, Fleeing the world!
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Candide's Lament - LIVE
04:48
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Nathan Granner Santa Maria, California
Tenor Nathan Granner, a renowned solo and collaborative artist, has a “vibrant and flexible” voice (The Boston Globe) and “possesses utter control of a ravishing mixed head sound.” (Opera News) Mr. Granner uses his voice in a variety of artistic and expressive styles, ranging from opera to jazz and classical cross-over performances. ... more
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